Blackbird Singing in the Dead of Night

Digital StillCameraA couple of mornings in the last week, I have had the privilege of hearing the dawn chorus start, and listening to the incredible singing of our local blackbird. (I haven’t actually checked it is definitely a blackbird, as I’ve been listening from the comfort of my bed, but I’m fairly sure…)

It all starts about 6am when the birds in the nearby city centre park start up, and then quickly spreads to the back gardens of our street and the next.

The song has repetition, variations and a call and response like structure, as if he is competing with a rival that is too far away for me to hear from indoors. Or pausing for breath. The song’s structure starts with a simple repeated motif, with the variations becoming more and more complex, his virtuoso performance sounding almost effortless. But singing with his whole being.

And this particular bird has an intonation like the Swedish chef from the Muppets through certain sections of his song. Really, no kidding.

Pick Myself Up & Start Again

The last few weeks have been a little rough. I worked fairly hard through January, then after helping out at a local community event on 4th Feb (just in the kitchen, no music involved) I was super-tired. I took the Sunday off to recuperate, but had a sore throat all day Monday, and then got ill for a couple of weeks with some sort of lurgy which just didn’t want to shift. The glands on my neck were up, my brain wasn’t on full power, and even simple tasks were wearing me out quickly. I was starting to wonder if I’d somehow managed to contract glandular fever* when things suddenly started improving and I began to get my life back again, just slowly.
Anyway, the reason I’m telling you all this is to explain why I vanished off the face of the internet for best part of a month now, bar a few random tweets. I’m working again, but it’s taking a while to get back up to my normal pace and have the energy to communicate. (Spot the introvert?).
I had wanted to work on what should become the second album this month, a set of instrumental tracks based on a well known novel. The aim was to write ten more minutes of music, give or take, to finish it off. I did make a start, but found I needed to do something where I was making more definite progress, before I move onto that project.
Mushrooms with brown top and white underside
So, there’s this song called Thieving Autumn which I have been working on intermittently since the end of September, and which I want to include on the third album, whenever that happens. I’m still not sure about all the lyrics, but I’ve gone ahead and started to work out instrumentation and parts for a recorded version, because that was more straightforward than writing something completely from scratch when my brain was still woolly from the lurgy.
Somehow the recorded version has ended up with a substantially different chord set to the guitar version I worked out in January, which is odd, because I have sung along to both. I haven’t figured out what’s happening there yet – some of the guitar chords may be alternatives, I may have accidentally taken it into a different key for the recording, or just not noted using a capo when I wrote down the chords in January.
I’ve got most of the backing track roughly together now, and need to work out how I want it to end. Then the main thing will be to do some serious work on developing the lyrics, trying to put into practice what I learned from the Berklee-based lyric-writing course I followed on Coursera last autumn. Off to the rhyming dictionaries!
*Glandular fever is called mono in the States.

Pick Myself Up & Start Again

The last few weeks have been a little rough. I worked fairly hard through January, then after helping out at a local community event on 4th Feb (just in the kitchen, no music involved) I was super-tired. I took the Sunday off to recuperate, but had a sore throat all day Monday, and then got ill for a couple of weeks with some sort of lurgy which just didn’t want to shift. The glands on my neck were up, my brain wasn’t on full power, and even simple tasks were wearing me out quickly. I was starting to wonder if I’d somehow managed to contract glandular fever* when things suddenly started improving and I began to get my life back again, just slowly.

Anyway, the reason I’m telling you all this is to explain why I vanished off the face of the internet for best part of a month now, bar a few random tweets. I’m working again, but it’s taking a while to get back up to my normal pace and have the energy to communicate. (Spot the introvert?).

I had wanted to work on what should become the second album this month, a set of instrumental tracks based on a well known novel. The aim was to write ten more minutes of music, give or take, to finish it off. I did make a start, but found I needed to do something where I was making more definite progress, before I move onto that project.

Mushrooms with brown top and white underside

So, there’s this song called Thieving Autumn which I have been working on intermittently since the end of September, and which I want to include on the third album, whenever that happens. I’m still not sure about all the lyrics, but I’ve gone ahead and started to work out instrumentation and parts for a recorded version, because that was more straightforward than writing something completely from scratch when my brain was still woolly from the lurgy.

Somehow the recorded version has ended up with a substantially different chord set to the guitar version I worked out in January, which is odd, because I have sung along to both. I haven’t figured out what’s happening there yet – some of the guitar chords may be alternatives, I may have accidentally taken it into a different key for the recording, or just not noted using a capo when I wrote down the chords in January.

I’ve got most of the backing track roughly together now, and need to work out how I want it to end. Then the main thing will be to do some serious work on developing the lyrics, trying to put into practice what I learned from the Berklee-based lyric-writing course I followed on Coursera last autumn. Off to the rhyming dictionaries!

*Glandular fever is called mono in the States.

Silver Bird

I made various video backgrounds from animations that I worked on in Processing in preparation for a gig I played at the start of January. In the event, the venue’s projector wasn’t available, so they weren’t used. But the preparation work isn’t wasted, I have some videos in hand for future live performances. Plus, I took some of the footage generated for Silver Bird and edited it into this video.

In fact, the timing could not have been more perfect. No sooner had I finished the video than I got an email from BBC Introducing (Lincolnshire) to say they had used Silver Bird in their show the previous Saturday. This was an exciting end to what has been a brilliant month for me, where I’ve made a lot of new contacts and felt like I’d scratched the surface of whatever this music thing is.

January So Far

It’s been a while since I posted a proper update, so I thought it was about time. January has been busy so far, mainly with publicising the Sleepwalker album. Plus there was a gig in Loughborough on 8th, where I provided the headline act to an open mic session, Cafe Live. I didn’t feel like parts of the gig went all that well, but I am always my own worst critic. It goes with the whole musician territory. People who were in the audience have told me they enjoyed my set, which was about 40-45mins long this time, longer than I am so far used to. I need to get more used to doing longer sets so I chill out more when I’m performing. It’s a strange feeling having so many pairs of eyes looking at you for so long!

I started off with some acoustic numbers with the guitar, including some Suzanne Vega covers – Gypsy and Knight Moves – and then moved on to the electronic tracks, singing and playing percussion or guitar over the backing that I pre-sequenced. There was a mix of album tracks and some I haven’t released, like Beautiful Deadly. Unfortunately we couldn’t project my videos this time, so I have yet to try these out with a live audience, but I’m thinking I’ll share some of the work I did to prepare video snippets for this gig on my youtube channel.

I’ve been continuing to research radio stations, podcasts and programmes that might be interested in my music, as well as blogs and other news outlets. This is quite time-consuming, but is starting to work. My hometown’s newspaper ran an article on me, and I had my first podcast play on Nottingham show the Sunday Alternative this weekend, with the title track to the Sleepwalker album. Do take a listen to the show if you haven’t already, I really enjoyed it. It’s mainly local Notts rock bands, but they slipped in my triphop/chillout track at the end, which was super-nice of them.

Out with 2016!

This year has been a tough year in a lot of ways and I’m sure it’s not just me who will be glad to see the back of this year at midnight tonight.

But what of the future?  I have a few goals for 2017, but haven’t set myself any resolutions at this point. I actually tend not to even think about New Year’s resolutions until the start of the new year, if I make any at all. I would rather think in terms of broader goal-setting and trying to improve habits than setting impossible hurdles up for myself with the inevitable result of feeling bad for not managing to keep jumping over them. That said, I did start out on one of these schemes last year, with a rare NY resolution which required completing a daily task. I started to flag in about mid February and by the end of March it was all over with a big guilt trip. The main reason for not picking it up again, apart from it taking longer each day than I’d been led to believe, was because I would see long lists of dates in the past with unfinished tasks every time I looked at it. Looking back, I feel pleased with myself that I made it beyond the first few weeks.

So, instead of resolutions as such, I think I’ll be thinking for a little while in January about what I want to achieve next year and how I might go about it. Sometimes plotting and scheming isn’t the best way to get started though – it can be easier to just write a list of specific things that need doing and then attack them in an order that makes some sort of sense. You can spend too long thinking and not enough time doing…

I’d be interested to hear how readers of this blog approach New Year: Do you have any strategies you’ve used for making or keeping resolutions? Do you even make them, or do you do something else to mark the passing of the old year and look forward into the new one?

 

Sleepwalker

It’s here, the day of my debut album release has arrived! (Cue whooping noises in the background). Busy day, as there’s also a gig tonight to get ready for, so I’ll just drop the link here and go rehearse…    It’s available for download from CD Baby as of today; other online stores will follow, in due course.

Note: You can hear 30s snippets of the songs on the page – these previews are in a low res MP3 format… purchasing the album from CD Baby gets you the high res MP3s AND lossless FLAC format files.  Any problems with the site, please please let me know 🙂

Stoneygate Sleepwalker album cover art

Graftwerk

I haven’t said much about how work on the album is going, so here’s a bit more about it.

screen-shot-2016-11-21-at-03-13-01

I’ve been working on the tracks for my debut album for a long time already; some of them have been floating around for a couple of years in one form or another. Originally, I thought I’d be final-mixing through the summer after college finished, but I really needed some time out, so finishing the album fell down the priority list for a while.

Then I had a conversation with a friend, Matt Steady, who has recently left his job to pursue a career in musicianship. “You need a project,” said Matt. “I’ve already got one, but I need to finish it,” was my reply. Matt offered to listen to my tracks and give his opinion. Around the same time, I was asked if I would play a gig in the not too distant future in another city. It turned out that these two things were the carrot and stick that I needed to get going again with the album.

Just over a week ago, after some further tweaking, I sent Matt a set of ten tracks, inviting him to be as brutal as he liked. He gave very positive, constructive feedback, and didn’t tell me to drop any of the tracks from this release. (I’d feared he might).

It’s been all systems go since then. As well as organising business cards to hand out at the gig and continuing to code graphics that can be projected onto a wall during the performance, I’ve been working on refining the mixes, working out the track order, choosing the title (Sleepwalker), designing cover art for the online store and trying to figure out what I’ve missed. There’s a growing to do list.

The most challenging part has been that the whole mixing process relies on your ears being ‘fresh’ and therefore you can’t rush it. At some point during a work session, your ears start to get tired and then start playing tricks on you. Things that you thought were loud enough sound too quiet. Your sense of the overall volume of the piece gets disorientated. This adds extra pressure when you’re working to a fairly tight deadline.

Nonetheless, the aim is to get everything mastered and uploaded this coming week – the sooner the better – with a view to releasing the album before the end of November. More hard graft, but it will be worth it. And next time around, the process will be easier. There will be a next time.